Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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Sandro Botticelli Detail of Cupid with eyes bandaged,shooting an arrow at Chastity oil painting


Detail of Cupid with eyes bandaged,shooting an arrow at Chastity
one of the Three Graces.Florence,Galleria degli Uffizi (mk57)
Painting ID::  26941
Sandro Botticelli
Detail of Cupid with eyes bandaged,shooting an arrow at Chastity
one of the Three Graces.Florence,Galleria degli Uffizi (mk57)
   
   
     

Sandro Botticelli Primavera oil painting


Primavera
c 1482 detail of the face of Flora,The Latin goddess of Spring.Florence,Galleria degli Uffizi
Painting ID::  26945
Sandro Botticelli
Primavera
c 1482 detail of the face of Flora,The Latin goddess of Spring.Florence,Galleria degli Uffizi
   
   
     

Sandro Botticelli Primavera oil painting


Primavera
c 1482 detail of Mercury Florence,Galleria degli Uffizi (mk57)
Painting ID::  26949
Sandro Botticelli
Primavera
c 1482 detail of Mercury Florence,Galleria degli Uffizi (mk57)
   
   
     

Sandro Botticelli The Birth of Venus oil painting


The Birth of Venus
1484-1485 detail of Venus'face Florence,Galleria degli Uffizi (mk57)
Painting ID::  26953
Sandro Botticelli
The Birth of Venus
1484-1485 detail of Venus'face Florence,Galleria degli Uffizi (mk57)
   
   
     

Sandro Botticelli The Birth of Venus oil painting


The Birth of Venus
1484--1485 detail of the Hour holding out to Venus a flowery red mantle.Florence,Galleria degli Uffizi (mk57)
Painting ID::  26956
Sandro Botticelli
The Birth of Venus
1484--1485 detail of the Hour holding out to Venus a flowery red mantle.Florence,Galleria degli Uffizi (mk57)
   
   
     

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     Sandro Botticelli
     Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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